Nam June Paik

In order to grasp the ideas driving Fluxus as an artistic faction, one must briefly refer to the Da Da movement (1916-1922 thereabouts). Think: presenting an overturned urinal as a work of art in a museum. Think: dressing up like

Nam June Paik

In order to grasp the ideas driving Fluxus as an artistic faction, one must briefly refer to the Da Da movement (1916-1922 thereabouts). Think: presenting an overturned urinal as a work of art in a museum. Think: dressing up like

Арток — искусство глобализированного мира

Арток, легкий арт (слово образовано по аналогии с «джазок» — легкий джаз) — искусство, сделанное в сжатые сроки, основными приемами в производстве которого является рекомбинация, совмещение несовместимого, помещение объектов в парадоксальный контекст. В производстве артка используются в основном редимейды или

Арток — искусство глобализированного мира

Арток, легкий арт (слово образовано по аналогии с «джазок» — легкий джаз) — искусство, сделанное в сжатые сроки, основными приемами в производстве которого является рекомбинация, совмещение несовместимого, помещение объектов в парадоксальный контекст. В производстве артка используются в основном редимейды или

Ocean Without a Shore

Ocean Without a Shore, 2007 Video/sound installation Color High-Definition video triptych, two 65” plasma screens, one 103” screen mounted vertically, six loudspeakers (three pairs stereo sound) Room dimensions variable Performer: Blake Viola Installation view, Church of San Gallo, Venice Photo:

Ocean Without a Shore

Ocean Without a Shore, 2007 Video/sound installation Color High-Definition video triptych, two 65” plasma screens, one 103” screen mounted vertically, six loudspeakers (three pairs stereo sound) Room dimensions variable Performer: Blake Viola Installation view, Church of San Gallo, Venice Photo:

Processing

Stanley makes some astute observations about the aesthetic economics of generative art; the fact that it costs almost exactly the same, for the programmer, to draw one, a hundred or a million lines. Stanley pursues the machinic-perceptual implications — how

Processing

Stanley makes some astute observations about the aesthetic economics of generative art; the fact that it costs almost exactly the same, for the programmer, to draw one, a hundred or a million lines. Stanley pursues the machinic-perceptual implications — how

Bill Viola, The Greeting, 1995.

 Video-sound installation, dimensions variable. Edition of 5. Whitney Museum of American Art, New York; partial and promised gift of Marion Stroud in honor of David A. Ross  95.261

Bill Viola, The Greeting, 1995.

 Video-sound installation, dimensions variable. Edition of 5. Whitney Museum of American Art, New York; partial and promised gift of Marion Stroud in honor of David A. Ross  95.261

Лазерне граффіті

The Graffiti Research Lab is, “dedicated to outfitting graffiti artists with open source technologies for urban communication”. This entity is encouraging community within the public arts while expanding the genre at an unprecedented rate.   Enjoy “L.A.S.E.R. Tag” it is

Лазерне граффіті

The Graffiti Research Lab is, “dedicated to outfitting graffiti artists with open source technologies for urban communication”. This entity is encouraging community within the public arts while expanding the genre at an unprecedented rate.   Enjoy “L.A.S.E.R. Tag” it is